Special Issue of *Women and Performance*
*The Performance of Mass Rape: War, Trauma, and Limit Phenomena
*Guest Editor: Sel J. Hwahng
From World War II to the present, the vast majority of armed conflicts have been fought in developing countries. For instance, according to Christian Scherrer, of 150 conflicts since World War II, 130 have been fought in developing countries. During the period from 1985 to 1996, the proportion of armed conflicts in Latin America remained constant, those in Asia and Europe declined, and the proportion of conflicts in Africa greatly increased. And currently 44% of armed conflicts occur in Africa. Women and children are often disproportionately affected by armed conflict and mass rape is often systematically used as a weapon of war.
To consider mass rape systems in the context of "performance", however, may give one pause. Yet human rights discourse often refers to "actors", i.e. participants, in crises or emergencies within specific situated "theaters", i.e. places of enactment of significant events or actions. And according to Norma Field, "limit phenomena" are catastrophes situated at the limits of comprehension, yet they demonstrate the urgency of confronting reality.
This special issue will therefore interrogate how mass rape systems from World War II to the present have been executed, acknowledged, and addressed through actors performing within theaters of particular armed conflicts, genocides, massacres, and complex emergencies. Mass rape systems from World War II to the present in regions such as Africa, Latin America, Asia, and Eastern Europe during armed conflict will be examined. Traumatic effects of mass rape systems in both individuals and groups will also be interrogated. How can focused attention on these limit phenomena also reveal new insights on gender, race, ethnicity, political economy, social formations, and human agency?
Mass rape systems during armed conflict may include but are not limited to the following: Pacific War/World War II (including the Japanese military sex slavery system and the Rape of Nanjing); Bangladesh War of Liberation; Vietnam War; Colombian Armed Conflict; Guatemalan Civil War; Balkan Conflicts (including Bosnia-Herzegovina and Kosovo); Angolan Civil War; Mozambican Civil War; Salvadoran Civil War; Myanmar (formerly Burma) Civil War; Liberian Civil Wars; Rwandan genocide; Sudanese Civil Wars and Darfur conflict; Congo Wars and Civil War (Democratic Republic of Congo); Ugandan Armed Conflict; and Sierra Leone Civil War.
This special issue will address some of these questions:
-What are the ritualized aspects and practices of mass rape systems?
-How do mass rape systems perform gender, race, ethnicity, sexuality, nationalism, and religion?
-How do colonial, postcolonial, Cold War, and post-Cold War geopolitical dynamics inform and shape actors within mass rape systems situated in particular theaters of armed conflict?
-How does the act of repeatedly bearing witness to mass rape render such atrocities representable or unrepresentable, intelligible or unintelligible?
-How do trauma, terror, and disconnection perform in mass rape systems?
-How are responses to mass rape systems performed and/or ritualized?
-How are the representations of mass rape systems performed in various geopolitical locations, including the U.S.?
-How can the investigation of performative aspects of mass rape systems reveal new insights and applications for the prevention of and intervention in such atrocities?
-How can the investigation of performative aspects of mass rape systems reveal new insights and applications for the treatment of trauma from such atrocities?
Topics may include but are not limited to the following:
--Child Soldiers—Female and/or Male (including human trafficking; rape as initiation into military service; coerced sexual slavery as military duty; and militarized youth cultures)
--Traumatic Effects (including physical and reproductive injuries from rape and torture; physical and sexual mutilations; social disintegration; PTSD such as terror, hyperarousal, intrusion, constriction, and disconnection; silencing; historical trauma; and secondary trauma or injury)
--Ethnocultural Gender/Sex Systems (including gender and sexual identifications and practices before, during, and after armed conflicts; and new gender, sexual, and/or kinship formations arising from mass rape trauma)
--Religion (including religion as justification for rape; mass rape across religious differences; mass rape within same religious affiliation; Christianization and Islamization of genocide, massacres, and mass rape; and syncretic religious formations in mass rape systems)
--Drug Use (including coerced substance use as contraception; and voluntary or coerced substance use to facilitate mass rape and sexual exploitation)
--HIV/AIDS, Sexually Transmitted Infections, and Sexual and Reproductive Health (including HIV/STIs used as weapons of war; HIV/STI seroprevalence of women and children after armed conflict; HIV/STI seroprevalence of child soldiers; forced pregnancies; forced contraception; forced abortions; and sexual traumas such as vaginal fistulae and prolapsed uteri)
--Weapons (including arms trafficking of light weapons; transnational profiteering; Cold War geopolitical nation-state maneuvers; colonial capital accumulation; and postcolonial and post-Cold War crises of failed and unraveling states)
--Propaganda (including entrenchment of racial, ethnic, or religious identifications and differences; and gender disparagement and objectification)
--Documentation of Atrocities and Violence (including journalism; interviews; testimonies; case studies; online and print publishing; and research methodologies)
--Interpretation of Atrocities and Violence (including interpretive performance, theater, film, video, websites, and fiction; memoirs; and reflections by humanitarian workers)
--Demobilization, Demilitarization, Rehabilitation, Reintegration, and Destigmatization of Mass Rape Survivors and Actors (including psychosocial, biomedical, and indigenous healing modalities; and capacity building, best practices, and strategies employed by indigenous and transnational NGOs)
-- Justice Systems and Grassroots Organizing (including local, national, and international legal claims and actions; indigenous and transnational women's groups and organizing; and alternative social formations and peer networks among survivors)
--Comparative analyses between mass rape systems are especially welcome
Submission Guidelines
Please submit manuscripts electronically as email attachments in Microsoft Word. All emails should be addressed to Sel J. Hwahng at hwahng@ndri.organd Jeanne Vaccaro at jeanne@womenandperformance.org. Please write "Women and Performance: Special Issue" in subject line. Essays should be double-spaced, with 1-inch margins; articles should not exceed 10,000 words. Please follow the Chicago Manual of Style, 15th edition. All manuscripts should be submitted with a 500 word abstract. Submissions due no later than December 15, 2007.
Monday, September 17, 2007
CFP for Special Issue on War and Sexual Violence
Call for Applications: Editorial Associate
THEORY and SOCIETY - Renewal and Critique in Social Theory
Theory and Society is currently accepting applications for Editorial Associates. We are an international journal, interdisciplinary in scope, publishing articles pertaining to theories of power, economies, states, culture, gender, social movements, political economy, and related fields of study. We publish articles that make significant critical contributions to existing theoretical knowledge, while being firmly grounded in empirical research. Our Editorial Associates are all graduate students at UC Davis, making us unique amongst journals of our stature. We are accepting applications from Graduate students in the Social Sciences, Humanities, and other disciplines. We are particularly interested in diversifying the editorial collective as most of our current members are from Sociology. The Editorial Associates collective meets once a month, year-round. Participation involves reading a submitted manuscript and presenting your summary, evaluation, and written recommendation at each meeting. Your summary and decision then become the basis for extended discussion by the rest of the collective. On this basis, we make a recommendation to the Editorial Board of the journal. Associates receive up to 4 units of credit through the Social Theory and Comparative History (STCH) program.
Interested graduate students should have completed coursework, but exceptions may be made. Please submit a 1-2 page statement of interest, including your academic department or program, research interests and methodological orientations, current status in your program, bodies of theoretical knowledge with which you are most familiar and/or comfortable, and reasons why you would be a good fit for the Journal. It will be helpful for you to look over a copy of the Journal in the library or online to get a sense of the range of articles we publish in order to ensure your interest in this work. Additionally, you may wish to contact current and former Editorial Associates who would be glad to talk with you about their experiences with the collective:
Sara Anderson, English sander@ucdavis.edu Jaime Becker, Sociology jsbecker@ucdavis.edu
Matthew Keller, Sociology mrkeller@ucdavis.edu
Marian Negoita, Sociology mnegoita@ucdavis.edu Karin Root, Sociology keroot@ucdavis.edu
Aarti Subramaniam, HCD asubramaniam@ucdavis.edu
You are also welcome to attend a meeting of the collective scheduled for October 17th.
Please send in your statement of interest by October 15th, for positions starting November, 2007.
Submit them to Executive Editor Janet Gouldner, either at jgouldner@ucdavis.edu or to: Janet Gouldner, Executive Editor Theory and Society Center for History, Society, and Culture University of California, Davis Davis, CA 95616
Thursday, September 13, 2007
UCLA's Amerasia Journal Publishes "Pacific Canada: Beyond the 49th Parallel"
September 13, 2007
Press Information: Review Copies:
Russell Leong, Editor Ying Ming Tu, Distribution
Amerasia Journal AASC Center Press
(310) 206-2892; rleong@ucla.
UCLA Amerasia Journal Publishes "Pacific Canada: Beyond the 49th Parallel"
Los Angeles-UCLA Asian American Studies Center announces the publication of "Pacific Canada: Beyond the 49th Parallel" a special commemorative issue of Amerasia Journal. The issue gathers twenty Canadian scholars, writers, and artists in a 175-page illustrated issue to commemorate the 1907 Pacific coast race riots against Asians in San Francisco, Bellingham, WA, and Vancouver, British Columbia.
Prof. Henry Yu, of UCLA and the University of British Columbia, the co-editor of the volume together with Prof. Guy Beauregard of National Tsing Hua University, Taiwan, states that this issue examines "how the 49th parallel, marking the political border that separates Canada and the United States, has made a difference in how Asian migrants acted and were treated" from their entry and settlement to the present.
Yu, in his introduction to the issue, talks about the Chinese from Guangdong province who came to British Columbia to mine gold and build transcontinental railroads in the 1850s and 1880s; later on, Japanese migrants went to Canada to work in fishing, farming, and agriculture, followed by Punjabi Sikhs in the 1970s. Yet, as Yu points out, Canada as part of the global British Empire differed from the U.S. in both its racial and immigrant policies, and its past and present responses to race relations. According to Prof. Erika Lee, "Racism towards Asians-especially the belief that "Asiatic invasions" threatened the racial, social, and economic well-being of the U.S. and Canada-was also transnational in scope."
In addition, the history of Asians in Canada must also be studied in relation to issues of First Nation peoples of Canada. Rita Wong, professor and cultural activist, reminds us to actively" support aboriginal self-determination, " otherwise Asian Canadians will inadvertently become part of the dominant colonizing history of Canada."
The focus of the special volume is on both historical and contemporary issues. Historical issues include an examination of the 1907 Pacific Coast Race Riots (Erika Lee) mentioned above; a study of Japanese American cultural activism before and after World War II (Masumi Izumi); and revisiting the house of Canadian author Joy Kogawa (Glenn Deer).
Other writers examine the scholarship on Asian Canadians in comparison to scholarship on Asian Americans: this includes essays by Iyko Day and Christopher Lee, whose article, "The Lateness of Asian Canadian Studies" talks about the relatively recent attention given to Asian Canadians by scholars on either side of the 49th parallel.
According to Lee, "what seems to be lacking are academic institutions-
Art historians and artists, and writers themselves present their work and point of view: including Alice Ming Wai Jim, Barbara Bickel, Valerie Triggs, Stephanie Springgay, Rita Irwin, Kit Grauer, Gu Xiong, Ruth Beer, Pauline Sameshima, Ashok Mathur, Rita Wong, and Hiromi Goto.
This limited edition volume, with artwork by Canadian artists, can be ordered directly through the website of the UCLA Asian American Studies Center: (http://www.aasc.
Annual subscriptions for Amerasia Journal are $35.00 for individuals, and $295.00 for libraries and other institutions. Amerasia Journal is published three times a year: Winter, Spring, and Fall. A free subscription to the Center's Crosscurrents Newsmagazine is included in a subscription to Amerasia Journal.
Thursday, September 6, 2007
Call For Papers: Out of TimeSpace
Out of TimeSpace
Call for Submissions of Papers, Visual Art and Media
Priority Deadline: September 7, 2007
Final Deadline: September 14, 2007
Participant Notification: September 28, 2007
Out of TimeSpace is a symposium and series of visual art and media events engaging issues of visual culture and politics to be held November 9 - 11, 2007 at the University of California-Berkeley and the San Francisco Art Institute. Through a series of small discussion groups, a visual art and media exhibition, and dialogues between key activists, artists, and scholars, Out of TimeSpace will create the context for a trans-disciplinary debate that will focus a critical lens on race, sexuality, gender, coloniality, power and resistance in global circuits of visual art and media, consider spaces of praxical possibility and social change, and, we hope, engender significant and ongoing connections between people and projects. The symposium is coordinated by the Visuality and Alterity Working Group sponsored by the Townsend Center for the Humanities and the Department of Ethnic Studies, University of California, Berkeley with the co-sponsorship of other UC-Berkeley departments, the San Francisco Art Institute and other partners.
The symposium planning committee invites proposals related to the following themes:
TRANSLOCALITIES/TRANSMODERNITIES
Understanding the geo-politics of art, media and visual culture to create new connections between people, communities and discourses.
Possible topics include:
-Translocal communities and shared visual cultures
-The globalized art world and visual artists in sites of geo-political alterity
-Global political trends across symbolic systems of visual art and media
-Interculturality and human rights
-Transnational visual art and activist projects
-Local visual pedagogies and global activism
-Translational/transnational women of color feminist cultural networks
MOBILE AESTHETICS AND EMERGING SOCIAL MOVEMENTS
Concerning the creative and communicative practices of contemporary social movements for peace and justice.
Possible topics include:
-Mobile communications and social justice
-Gender and decolonial aesthetics
-Human trafficking and resistance movements
-Comparative analysis of aesthetics of social movements
-Translocal hybridization of cultural resistance
-Global archiving of social movement art and media
-Cultural work and the World Social Forum
MEDIA INSURGENCIES
Concerning the evolving global commons of film and digital media responses to political, social, cultural and environmental crises.
Possible topics include:
-Circuits of media exchange between sites in the 'Global South'
-Fourth Cinema
-Liberatory imaginings of cyberspace negotiated or reworked in community-based media centers
-Reconsidering the raced, gendered and geopolitical dimensions of the 'Digital Divide'
-Comparative and relational approaches to transnational visual and digital culture analysis and production
Guidelines for Submission of Papers/Research Presentations:
We invite submissions of scholarly papers, work-in-progress research presentations, and presentations by artists, filmmakers and activists. Most presentations will take place in the context of small group workshop settings. Submit an abstract, short bio and cover letter describing your interest in this venue. Send all submissions by email to: outoftimespace@
Guidelines for Submission of Visual Art, Film and Digital Media:
We invite submissions of visual art, films and digital media work for the symposium's exhibition and screening series. Submit visual documentation in digital or other media, artist's statement, short bio and cover letter describing your interest in this venue for your work. Please do not send packages larger than 8 x 11 inches and include a self-addressed stamped envelope for return of materials if necessary. Please send all submissions by email to outoftimespace@
Note on Languages:
Papers, presentations, films and digital media are invited in languages other than English. Please submit initial materials in both English and original language. Translation needs will be negotiated with each presenter. Please translate any or all of this notice for distribution if desired.
Symposium Organizing Committee:
Lindsay Benedict, Visual Artist, New York, NY Dalida Maria Benfield, Ethnic Studies, UC-Berkeley Annie Fukushima, Ethnic Studies, UC-Berkeley Luis de la Garza, Ethnic Studies, UC-Berkeley Rose Khor, Art Practice, UC-Berkeley Jenifer Wofford, Visual Artist and Independent Curator, Berkeley, CA Visuality and Alterity Working Group, UC-Berkeley, 2006 - 2007 Lindsay Benedict, Dalida María Benfield, Annie Fukushima, Luis de la Garza, Rose Khor, Joseph Morales, Laura Pérez, Jenifer Wofford, Byung Sun Yu
Collaborating Institutions and Individuals (as of August 2007):
Evelyne Jouanno, Independent Curator, San Francisco and Paris, France tammy ko Robinson, San Francisco Art Institute John Kim, University of San Francisco Allan de Souza, San Francisco Art Institute Katharine Wallerstein, Global Commons Foundation, San Francisco
We are continuing to seek additional institutional and individual partners. If interested, please contact us. Questions or inquiries may be sent to outoftimespace@
Wednesday, September 5, 2007
UCLA Center for the Study of Women -- 2008 Thinking Gender Conference Call for Papers
UCLA Center for the Study of Women In Conjunction With USC Center for Feminist Research
Announce 18th Annual Thinking Gender Graduate Student Research Conference
Thinking Gender is a public conference highlighting graduate student research on women, sexuality, and gender across all disciplines and historical periods. We invite submissions for individual papers or pre-constituted panels. We especially welcome feminist research on women of color, the pre-modern, queerness, and the sciences.
For individual papers, please submit an abstract (250 words), a CV (2 pages maximum), and a brief bibliography (1 page maximum). For panels, please submit a 250-word description of the panel topic in addition to the materials required for the individual paper submissions.
Please reference the submission guidelines at http://www.csw.ucla.edu/thinkinggender.html
Deadline for Submissions: Monday, October 29, 2007, by midnight.
We will only accept completed submissions emailed by the deadline.
Please send submissions to:
Conference date and location:
Friday, February 1, 2008
UCLA FACULTY CENTER
UCLA Center for the Study of Women
Box 957222
Public Policy 1400H
Los Angeles, CA 90095-7222
310-825-0590
Email:
<https://webmail.sscnet.ucla.edu/src/compose.php?send_to=thinkinggender%40wo
men.ucla.edu> thinkinggender@women.ucla.edu
USC Center for Feminist Research
University Park
Taper Hall of Humanities 331C
Los Angeles, CA 90089-4352
(310) 825-0590 (213) 740-1739
Email:
cfr@usc.edu
Sunday, September 2, 2007
Jacob Javits Fellowship Program
This program provides fellowships to students of superior academic ability-selected on the basis of demonstrated achievement, financial need, and exceptional promise-to undertake study at the doctoral and Master of Fine Arts level in selected fields of arts, humanities, and social sciences.
Types of Projects
A board establishes the general policies for the program, selects the fields in which fellowships are to be awarded, and appoints distinguished panels to select fellows.
Additional Information
The Department of Education awards fellowships in selected fields of study of the arts, humanities and social sciences. Panels of experts appointed by the Javits Fellowship Board (Board) select fellows according to criteria established by the Board. Students must demonstrate financial need by filing the Free Application for Federal Student Aid. The selected fields of study supported by the Javits Fellowship Program are available for your review. Subject to the availability of funds, a fellow receives the Javits fellowship annually for up to the lesser of 48 months or the completion of their degree. The fellowship consists of an institutional payment
(accepted by the institution of higher education in lieu of all tuition and fees for the fellow) and a stipend (based on the fellow's financial need as determined by the measurements of the Federal Student Assistance Processing System. In fiscal year 2007, the institutional payment was
$12,627 and the maximum stipend was $30,000.
Visit the website for more information or to apply:
http://www.ed.gov/programs/jacobjavits/index.html